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Nu-metal · metalcore · modern metal · baritone

Drop B Tuning Chords & Fretboard (B F# B E G# C#)

The fretboard is in Drop B: Drop D shapes, three semitones lower. One-finger power chords sit on the bottom three strings and the familiar Drop D open shapes still work above them. Pick any chord below for voicings that use the low B correctly, then read the gauge advice — on a normal-scale guitar this tuning lives or dies by its strings.

Strings 6→1BF#BEG#C#Open strings: B5 (Drop D shapes, 3 semitones lower)

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Chord voicings

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Every playable voicing of each chord in the current key, ranked V1–Vn up the neck. Filter by difficulty or chord type, and use ← → on a card to step through its voicings.

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String tension calculator

Total: 103.8 lbs • Avg: 17.3 lbs • All Strings Safe (Balanced) • Custom .010–.046

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Tuning Stability & String Match

Checking string pull across all 6 strings...

Drop B tuning explained

Drop B is B–F#–B–E–G#–C#: the same shape as Drop D (the 6th string a whole step below the rest) with the whole guitar lowered a further minor third. In practice that means every Drop D chord shape and riff works unchanged — barre the bottom three strings for a one-finger power chord, play the "open D shape" on top for a B major — but everything sounds three semitones lower. It is also exactly Drop C lowered by a half step, and B standard (the tuning of most baritone guitars) with the 6th string dropped.

It is the sound of a big slice of nu-metal and modern metal: Slipknot's "Duality" and "Before I Forget", Five Finger Death Punch's "Bad Company" and "Wrong Side of Heaven", Chevelle's "Send the Pain Below" and a long list of metalcore records are in Drop B. The low B1 is the same note as the lowest string of a seven-string guitar, so riffs written for 7-string often translate directly.

How to tune to Drop B from standard

  1. 6th string: E → B (down a perfect fourth — five semitones).
  2. 5th string: A → F# (down three semitones).
  3. 4th string: D → B (down three semitones).
  4. 3rd string: G → E (down three semitones).
  5. 2nd string: B → G# (down three semitones).
  6. 1st string: E → C# (down three semitones).

Check: the 6th string should match the open 4th string an octave lower — exactly like Drop D.

Strings and scale length

A standard .010–.046 set is unusable here: the low string loses over half its tension. On a 25.5" guitar the common choices are .012–.060 or .013–.062, often with a .062–.068 low string if you pick hard; on a 24.75" Les Paul-style scale go heavier still. This is where baritone guitars (26.5"–28") and multi-scale necks shine — the extra length lets a .013–.062 set feel tight without cable-thick strings. Expect to widen the nut slots and redo the setup. The string tension calculator supports baritone and fanned-fret scales, so you can compare before buying.

Essential BF#BEG#C# chord shapes

⬇ Printable BF#BEG#C# chord chart (PDF)

Diagrams show strings low to high (6 → 1, left to right). × = don't play that string, ○ = open string, orange = the root note. Every shape was checked note-by-note against the tuning. Press Play to load it on the fretboard above and hear it.

B5 chord in BF#BEG#C# tuning — frets 0-0-0-X-X-X (low to high)
B50-0-0-X-X-X

Bottom three strings open: the Drop B power chord.

D5 chord in BF#BEG#C# tuning — frets 3-3-3-X-X-X (low to high)
D53-3-3-X-X-X

One-finger barre at fret 3…

E5 chord in BF#BEG#C# tuning — frets 5-5-5-X-X-X (low to high)
E55-5-5-X-X-X

…fret 5…

F#5 chord in BF#BEG#C# tuning — frets 7-7-7-X-X-X (low to high)
F#57-7-7-X-X-X

…fret 7…

G5 chord in BF#BEG#C# tuning — frets 8-8-8-X-X-X (low to high)
G58-8-8-X-X-X

…fret 8 (the bVI in B minor)…

A5 chord in BF#BEG#C# tuning — frets 10-10-10-X-X-X (low to high)
A510-10-10-X-X-X

…and fret 10. A whole riff vocabulary under one finger.

B chord in BF#BEG#C# tuning — frets 0-0-0-2-3-2 (low to high)
B0-0-0-2-3-2

The Drop D "open D shape" — now a huge B major.

Bm chord in BF#BEG#C# tuning — frets 0-0-0-2-3-1 (low to high)
Bm0-0-0-2-3-1

Open-position B minor with the low root.

Bsus2 chord in BF#BEG#C# tuning — frets 0-0-0-2-3-0 (low to high)
Bsus20-0-0-2-3-0

Lift the top finger for a ringing sus2 — a clean-intro favourite.

B7 chord in BF#BEG#C# tuning — frets 0-0-0-2-1-2 (low to high)
B70-0-0-2-1-2

Dominant 7th in open position.

E chord in BF#BEG#C# tuning — frets 5-5-0-0-0-3 (low to high)
E5-5-0-0-0-3

The Drop D "G shape" at fret 5 — now E major with open strings.

Emaj7 chord in BF#BEG#C# tuning — frets 5-5-4-0-0-3 (low to high)
Emaj75-5-4-0-0-3

Add the D# on the 4th string for Emaj7.

F# chord in BF#BEG#C# tuning — frets X-0-2-2-2-0 (low to high)
F#X-0-2-2-2-0

The standard "A shape" — sounds F# major, the V chord in B.

F#sus4 chord in BF#BEG#C# tuning — frets X-0-2-2-3-0 (low to high)
F#sus4X-0-2-2-3-0

F#sus4 for suspension-and-release riffs.

G#m chord in BF#BEG#C# tuning — frets X-2-0-4-3-2 (low to high)
G#mX-2-0-4-3-2

The vi chord without a barre.

A chord in BF#BEG#C# tuning — frets X-3-2-0-1-0 (low to high)
AX-3-2-0-1-0

The standard "C shape" sounds A major — the bVII in B minor.

Strings & gear for BF#BEG#C#

Suggested starting point on a 25.5" scale: .012–.060 or .013–.062 (25.5"); baritone 26.5"+ recommended. Run your own gauges through the tension lab before you buy.

Check tension for BF#BEG#C# →

Frequently asked questions

What strings do I need for Drop B?▾

On a 25.5" scale, .012–.060 or .013–.062 is the usual starting point; heavy pickers often use a .064–.068 low string. On a 24.75" scale go one step heavier. Baritone guitars (26.5"–28") handle Drop B comfortably with .013–.062. A standard .010 set will be floppy and unplayable.

Is Drop B the same as B standard?▾

No. B standard tunes every string to standard intervals starting from B (B–E–A–D–F#–B). Drop B keeps the Drop D layout: the 6th string is a whole step below the 5th-string-based pattern (B–F#–B–E–G#–C#), which gives one-finger power chords.

Which songs are in Drop B?▾

Well-known examples include Slipknot's "Duality" and "Before I Forget", Five Finger Death Punch's "Bad Company" and "Wrong Side of Heaven", Chevelle's "Send the Pain Below", and many metalcore and djent songs.

Do Drop D chord shapes work in Drop B?▾

Yes — every Drop D shape and riff works identically, sounding three semitones (a minor third) lower. A Drop D "D" chord becomes B, "G" becomes E, "A" becomes F#. The chord finder above shows the correct names for the shapes in Drop B.

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