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Slide · folk · blues · Joni Mitchell / Dylan tuning

Open D Tuning Chords & Fretboard (DADF#AD)

The fretboard is in Open D. Every open string belongs to a D major chord, a one-finger barre is a major chord anywhere on the neck, and a single fretted note turns the open chord into sus4, minor, 7th or add9. Pick any chord below for voicings, or scroll for the shapes, slide positions and tuning steps.

Strings 6→1DADF#ADOpen strings: D major

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Chord voicings

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Every playable voicing of each chord in the current key, ranked V1–Vn up the neck. Filter by difficulty or chord type, and use ← → on a card to step through its voicings.

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String tension calculator

Total: 103.8 lbs • Avg: 17.3 lbs • All Strings Safe (Balanced) • Custom .010–.046

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Open D tuning explained

Open D tunes the guitar to a D major chord: D–A–D–F#–A–D. Because the open strings already spell the chord, a straight barre (or a slide) across any fret gives you a major chord — fret 5 is G, fret 7 is A — which is why it is the home tuning of Delta and electric slide (Elmore James, Duane Allman in its sibling Open E) and of a huge body of folk and singer-songwriter music. Joni Mitchell wrote in it constantly, and Bob Dylan recorded the original Blood on the Tracks sessions in it.

The 3rd string carries the major third (F#), so the colour of the whole chord lives on one string: lower it a fret (F) for minor, raise it a fret (G) for sus4, or leave it off. Melodies on the top two strings (A–D) run in fourths, which suits pull-off-heavy folk picking. Open D is Open E lowered a whole step; the shapes are identical and the tension is kinder.

How to tune to Open D from standard

  1. 6th string: E → D (down a whole step).
  2. 5th string: A — unchanged.
  3. 4th string: D — unchanged.
  4. 3rd string: G → F# (down a half step).
  5. 2nd string: B → A (down a whole step).
  6. 1st string: E → D (down a whole step).

All four changes go down, so a standard set works; slide players usually prefer .012–.054 or .013–.056 and a higher action so the slide doesn't clatter on the frets. Compare sets in the tension calculator.

Slide positions in Open D

With a straight bar: fret 0 = D, 3 = F, 5 = G, 7 = A, 10 = C, 12 = D. A classic blues in D is bars at 0, 5 and 7; the "sweet" notes above a barre chord are two frets up on the 1st string (the 9th) and three frets up on the 2nd string (the minor 7th).

Essential DADF#AD chord shapes

⬇ Printable DADF#AD chord chart (PDF)

Diagrams show strings low to high (6 → 1, left to right). × = don't play that string, ○ = open string, orange = the root note. Every shape was checked note-by-note against the tuning. Press Play to load it on the fretboard above and hear it.

D chord in DADF#AD tuning — frets 0-0-0-0-0-0 (low to high)
D0-0-0-0-0-0

Open strings — D major.

Dsus4 chord in DADF#AD tuning — frets 0-0-0-1-0-0 (low to high)
Dsus40-0-0-1-0-0

Raise the 3rd string one fret (G) for the classic open-tuning sus4 "hammer".

Dm chord in DADF#AD tuning — frets 0-0-3-3-0-0 (low to high)
Dm0-0-3-3-0-0

F on the 4th and 3rd strings turn the chord minor.

D7 chord in DADF#AD tuning — frets 0-0-0-0-3-0 (low to high)
D70-0-0-0-3-0

C at fret 3 on the 2nd string for a dominant 7th.

Dmaj7 chord in DADF#AD tuning — frets 0-0-0-0-4-0 (low to high)
Dmaj70-0-0-0-4-0

C# at fret 4 on the 2nd string.

Dadd9 chord in DADF#AD tuning — frets 0-0-0-0-0-2 (low to high)
Dadd90-0-0-0-0-2

E on the 1st string — the sweet "9th above the barre" sound.

G chord in DADF#AD tuning — frets 5-5-5-5-5-5 (low to high)
G5-5-5-5-5-5

Straight barre at fret 5 (slide position).

G (open) chord in DADF#AD tuning — frets 5-5-0-5-5-0 (low to high)
G (open)5-5-0-5-5-0

G major with open D strings ringing — no barre needed.

Gmaj7 chord in DADF#AD tuning — frets X-X-5-5-5-4 (low to high)
Gmaj7X-X-5-5-5-4

Gmaj7 on the top four strings.

A chord in DADF#AD tuning — frets 7-7-7-7-7-7 (low to high)
A7-7-7-7-7-7

Straight barre at fret 7.

A7 chord in DADF#AD tuning — frets X-0-5-7-7-5 (low to high)
A7X-0-5-7-7-5

A7 using the open A string as the root.

Asus4 chord in DADF#AD tuning — frets X-0-2-3-0-0 (low to high)
Asus4X-0-2-3-0-0

Asus4 with open 2nd and 1st strings.

Bm chord in DADF#AD tuning — frets X-2-0-0-2-0 (low to high)
BmX-2-0-0-2-0

The relative minor, two fingers.

Bm7 chord in DADF#AD tuning — frets X-2-0-0-0-0 (low to high)
Bm7X-2-0-0-0-0

One finger at fret 2 on the 5th string.

Em7 chord in DADF#AD tuning — frets 2-2-0-1-2-0 (low to high)
Em72-2-0-1-2-0

The ii chord with a big open-string ring.

F#m chord in DADF#AD tuning — frets 4-4-4-0-0-X (low to high)
F#m4-4-4-0-0-X

The iii chord; mute the high D.

Frequently asked questions

What is the difference between Open D and DADGAD?▾

Only the 3rd string: Open D has F# (a major third), DADGAD has G (a fourth). Open D sounds a complete D major chord; DADGAD sounds a Dsus4 and is modally ambiguous. Everything else about the tunings is identical, so you can switch between them by moving one string a half step.

Open D or Open E — which should I use?▾

They are the same tuning a whole step apart. Open D lowers three strings from standard (gentle on the neck and strings); Open E raises three strings (A→B, D→E, G→G#), adding significant tension. Many players tune to Open D and capo at fret 2 when they need Open E.

What songs are in Open D?▾

Joni Mitchell's "Big Yellow Taxi" (Open E, same shapes), Bob Dylan's "Simple Twist of Fate" and other Blood on the Tracks songs, Bruce Cockburn's and Pierre Bensusan's repertoire, and most slide blues from Elmore James to the Black Keys.

Which string gauges suit Open D?▾

Any standard set works because every change goes down. For slide, heavier strings (.012–.054 acoustic, .011–.050 electric) and higher action give a cleaner tone. Use the tension calculator to see how much each string relaxes.

Related tools & tunings

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