Jazz · Advanced · major key
ii–V–I–VI turnaround
ii7 – V7 – Imaj7 – VI7 — The VI7 (a major chord where you expect minor) spins the loop back to ii.
Chord shapes in G major (standard tuning)
Using a different tuning? Open it in the Looper — it finds playable shapes for whatever tuning you choose.
How the chords work
Written in Roman numerals, this progression is ii7 – V7 – Imaj7 – VI7 — in C major that is Dm7 – G7 – Cmaj7 – A7. Each numeral is a step of the scale; upper case is a major chord, lower case minor.
- ii7 — a soft minor chord that leads towards V (a "pre-dominant").
- V7 — the tension chord that wants to resolve home.
- Imaj7 — the home chord — the progression feels finished when it lands here.
- VI7 — a major VI — the "V of ii".
ii–V–I–VI turnaround in all 12 keys
| Key | Chords | Hear / play |
|---|---|---|
| C major | Dm7G7Cmaj7A7 | Looper |
| G major | Am7D7Gmaj7E7 | Looper |
| D major | Em7A7Dmaj7B7 | Looper |
| A major | Bm7E7Amaj7F#7 | Looper |
| E major | F#m7B7Emaj7C#7 | Looper |
| B major | C#m7F#7Bmaj7G#7 | Looper |
| F# major | G#m7C#7F#maj7D#7 | Looper |
| Db major | Ebm7Ab7Dbmaj7Bb7 | Looper |
| Ab major | Bbm7Eb7Abmaj7F7 | Looper |
| Eb major | Fm7Bb7Ebmaj7C7 | Looper |
| Bb major | Cm7F7Bbmaj7G7 | Looper |
| F major | Gm7C7Fmaj7D7 | Looper |
Practice ideas
- Beginners: play one strum per chord and say the chord names out loud, then two strums, then a steady down-down-up-up-down-up pattern.
- Change keys with a capo: keep the G major shapes and move a capo up — the capo calculator shows which fret gives the key you want.
- Solo over it: loop it in the Looper and improvise with the G major pentatonic or G major scale — the scale pages show every position and play a backing track.
- Train your ear: the progression ear trainer mixes this with similar progressions until you can tell them apart.
Similar progressions
- Bird blues (Parker changes) Imaj7 – viiø7 – III7 – vi7 – II7 – v7 – I7 – IV7 – iv7 – ♭VII7 – iii7 – VI7 – ii7 – ♭III7 – ii7 – V7
- Jazz blues I7 – IV7 – I7 – I7 – IV7 – ♯iv°7 – I7 – VI7 – ii7 – V7 – I7 – V7
- Rhythm changes A section Imaj7 – vi7 – ii7 – V7 – iii7 – VI7 – ii7 – V7
- "Fly Me to the Moon" cycle vi7 – ii7 – V7 – Imaj7 – IVmaj7 – viiø7 – III7 – vi7
- Diminished passing chord (I–#i°7–ii–V) I – ♯i°7 – ii – V
- Jazz circle iii–vi–ii–V–I iii7 – vi7 – ii7 – V7 – Imaj7
← Jazz ii–V–I · Jazz circle iii–vi–ii–V–I →
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Questions
What chords are in the ii7 – V7 – Imaj7 – VI7 progression?
In G major: Am7 – D7 – Gmaj7 – E7. In C major / A minor: Dm7 – G7 – Cmaj7 – A7. The table on this page lists all 12 keys.
What is the best key to play ii7 – V7 – Imaj7 – VI7 on guitar?
G major uses the most open-position chord shapes in standard tuning. Use a capo with those shapes to reach other keys.